Browsing by Author "Crispiani, Alejandro"

Now showing 1 - 12 of 12
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    Adolf Loos : contra el proyecto.
    (2001) Crispiani, Alejandro
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    Aldo Rossi en el espejo de América Latina
    (Escuela de Arquitectura, PUC, 2021) Crispiani, Alejandro
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    La explanada y el jardín. Transformaciones urbanas en el entorno de la Plaza de Armas de Santiago de Chile, 1859-1893
    (2023) Atria Lemaitre, Maximiano; Crispiani, Alejandro; Pontificia Universidad Católica de Chile. Facultad de Arquitectura, Diseño y Estudios Urbanos
    La tesis intenta indagar en las diferentes dimensiones del cambio físico, pero también social, político y cultural de la ciudad de Santiago en un momento clave de su consolidación en el sistema de ciudades del Chile del siglo XIX, un periodo que desde diversos puntos de vista ha sido identificado por la historiografía clásica como aquel que permitió a la sociedad chilena pasar de un estado de relativa precariedad a uno de preeminencia en el contexto de las naciones latinoamericanas. A partir del estudio del caso de la Plaza de Armas de Santiago de Chile, la tesis acomete una compresión general de los procesos de transformación urbana en la segunda mitad del siglo XIX, asociados a los cambios producidos en la arquitectura de sus edificios circundantes, de los usos que ella ha acogido y de las fisonomías que su espacio central ha adquirido, principalmente a partir de las acciones de transformación de elementos de diseño urbano dispuestos en su interior —vegetales y simbólicos.
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    Un mundo continuo.
    (2001) Crispiani, Alejandro
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    La reaparición de lo público. Experiencias de habitación durante el posterremoto
    (2013) Crispiani, Alejandro; Errázuriz Infante, Tomás
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    Remnants of the city
    (UNIV SAN SEBASTIAN FAC AQUITECTURA & ARTE, ESCUELA ARQUITECTURA, SANTIAGO, 2015) Crispiani, Alejandro; Errazuriz Infante, Tomas
    Contrary to what has historically happened with earthquakes that have repeatedly destroyed several cities in Chile, the 2010 earthquake was followed by an unprecedented and fruitful reflection that, from various disciplines, has tried to understand the phenomenon in a new socio-cultural context. Within the framework of this trend, this article explores various uses and representations associated to debris produced by destruction, questioning the traditional approach that conceives them only as useless material whose removal becomes urgent in order to reach the much desired normality. Along these lines, attempts shall be reviewed that try to start a discussion about debris, suggesting new connotations such as possibilities of recycling; evocative force and, therefore, significance as objects of memory and commemoration; or other ways of looking at it linked mainly to art which emphasize the creative and experimental possibilities of what has been destroyed.
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    Los restos de la ciudad
    (2015) Crispiani, Alejandro; Errázuriz Infante, Tomás
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    Sigfried Giedion o el elogio de la medianía
    (2015) Crispiani, Alejandro
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    The Architect as Collector
    (2017) Crispiani, Alejandro
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    THE REAPPEARANCE OF PUBLIC MATTERSHOUSING EXPERIENCES DURING THE POST EARTHQUAKE PERIOD
    (UNIV DIEGO PORTALES, 2013) Crispiani, Alejandro; Errazuriz, Tomas
    Since the early XIX century, both house and domestic space have gone through a series of technological, programmatic and typological transformations in accordance with the changes in dwelling practices. These range from their progressive connection to utility networks (water, telephone, gas internet, etc.) to the change in number and proportion of places, in their relation with street space or the integration of new devices and technologies. One of the main consequences of this transformation has been the emphasis in private and intimate space as scenario for domestic matters with detriment to different ways of dwelling which are more permeable to public space.